Two sides of the story
I searched for inspiration other than those studied during the exercises in this module but struggled. I looked at urban decay photography, which is interesting, but the majority of these images are interiors whilst mine would be exteriors; although it does ally itself with aftermath photography which I like. I returned eventually to photographers I had explored when visiting the Strange and Familiar exhibition (March 2016) showcasing international photographers images of Britain. However most of the images I’d seen there contained people and I thought mine would not. I did revisit the images of Candida Hofer of buildings in Liverpool using clean graphic lines and interesting perspective, the colourful shop front images of Jim Dow, the angled lines and abrupt framing of Sergio Iarrain and the diagonals and upright lines of Garry Winogrand. I also drew on my observations after the William Eggleston exhibition at the National Portrait Gallery (October 2016) that I would consider using more unusual compositions and use of space in a frame, leading lines and colourful objects set against dull backgrounds. (Link to write up: https://nkssite2.wordpress.com/category/research-reflection/exhibitions-books/)
I found the work of the following photographers helpful:
Stephen Shore (B. 1047)
I returned to the work and writings of Stephen Shore who I had discovered when studying Expressing Your Vision. Shore made several road trips across the states where he shot roadside architecture in colour. His book Uncommon places (Shore 1984) proved that colour was essential “by creating composition of mindboggling complexity and brilliance” (Golden, 2013). Shore rather like Eggleston “shot the commonplace and made it suddenly arresting” (O’Hagan, 2015).
In Shores images I was able to see exteriors of buildings and streets presented with an interesting way of looking.
https://fotocolectania.files.wordpress.com/2012/05/stephen-shore.jpg (Accessed 30.10.16)
http://www.phaidon.com/resource/shore-1.jpg (Accessed 30.10.16)
It was also good to remind myself of his writings in The Nature of Photographs: A Primer (Shore, 2010). I like the way he describes how a photographer gives structure to a photograph on the depictive level by time, frame, flatness and focus. I realise that I do now change my vantage point as I compose to change the relationships within the frame. However it reminded me that the framing would be vital in these images to convey the correct context and narrative and should be “active” containing all the information needed by the viewer. It was stimulating to remind myself of these things although I felt that I would need to be less experimental in order to present the context and narrative for my documentary photos.
Walker Evans (1903-1975)
He was a forerunner of American documentary photography, photographing the ordinary “creating an encyclopaedic visual catalogue of modern America in the making” (Walker Evans, 2000). He portrayed American life factually through individual portraits, surveys of buildings, signs, advertising, cars and domestic interiors. Walker Evans contributed more than 400 photos to article in Fortune Magazine using a standard journalistic picture-story format. His images of the Great Depression did more than hold a mirror up “no mirror ever made, after all, could so clearly reflect what he saw, and wanted others to see” (Cosgrove, 2012), he certainly gave a clear and unadorned documentary vision of his subjects.
Many of his photographs of buildings are shot straight on, perhaps this was a style I could try for my documentary photos:
https://www.moma.org/collection/works/52683?locale=en (Accessed 30.10.16)
This picture illustrates how his heighted attention on a part of a photograph gives the image the appearance of a collage.
Gas station, Reedsville, West Virginia, 1936 http://www.brianrose.com/journal/evans_gas_station.jpg (accessed 30.10.16)
In order to understand my subject the local area of Cardigan, I additionally did much reading around local news especially on housing and welfare and these are included in my bibliography. One story that particularly struck me was the article on the increasing number of charity shops, their exemption from business rates and that it is unfair “as it’s not a level playing field” as other high street businesses have higher costs (Robinson, 2015).
Cosgrove, B. (2012) “American photographs” by Walker Evans. Available at: http://time.com/50857/walker-evans-american-photographs/ (Accessed: 30 October 2016).
Golden, R. (2013) Masters of photography. 3rd edn. London: Sterling Pub Co.
O’Hagan, S. (2015b) Shady character: How Stephen Shore taught America to see in living colour. Available at: https://www.theguardian.com/artanddesign/2015/jul/09/stephen-shore-america-colour-photography-1970s (Accessed: 31 October 2016).
Robinson, H. (2015) “Concern” as tenth charity shop opens in cardigan. Available at: http://www.tivysideadvertiser.co.uk/news/13624531._Concern__as_tenth_charity_shop_opens_in_Cardigan/?ref=mr&lp=3 (Accessed: 25 October 2016).
Shore, S. (1984) Uncommon places. New York: Aperture,N.Y.
Shore, S. (2010) The nature of photographs: A primer. 2nd edn. new York: Phaidon Press.
Walker Evans (1903–1975) | essay | Heilbrunn Timeline of art history | the metropolitan museum of art (2000) Available at: http://www.metmuseum.org/toah/hd/evan/hd_evan.htm (Accessed: 30 October 2016).
Dunlap, D.W. (2009) Behind the scenes: Edgar Martins speaks. Available at: http://lens.blogs.nytimes.com/2009/07/31/behind-10/ (Accessed: 24 October 2016).
2015 (2006a) Aberteifi/cardigan – Teifi, Ceredigion – neighbourhood profile – schools – house prices – council tax – gas / electricity prices. Available at: http://www.uklocalarea.com/index.php?q=Aberteifi%2FCardigan+-+Teifi&wc=00NQNT (Accessed: 25 October 2016).
Information and maps of walks in the cardigan area and beyond (no date) Available at: http://www.visitcardigan.com/cardigan-tourist-information/walking-in-the-cardigan-area (Accessed: 25 October 2016).
The Guardian (2013) UK seaside resorts in decline – in pictures. Available at: https://www.theguardian.com/uk-news/gallery/2013/aug/06/uk-seaside-resorts-decline-in-pictures (Accessed: 26 October 2016).
(2016) A tax on outsiders, or sensible bid to tackle housing crisis? Available at: http://www.cardigan-today.co.uk/article.cfm?id=104688&headline=A%20tax%20on%20outsiders,%20or%20sensible%20bid%20to%20tackle%20housing%20crisis?§ionIs=news&searchyear=2016 (Accessed: 25 October 2016).
Mathew Merrett (no date) Available at: http://thephotomat.smallfolio.com/#galleries/decay/urban-decay (Accessed: 26 October 2016).
Rossington, B. and Miller, C. (2016) The most deprived places have been revealed – how does your area compare? Available at: http://www.mirror.co.uk/news/uk-news/10-worst-deprived-places-england-6548105 (Accessed: 25 October 2016).